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CONSIDER COLOURED PAPER If you're thinking of a full-bleed solid colour background, have you thought about using a coloured paper stock? Many specialty coloured papers also have a specific texture, which adds a bonus element of interest to Colorplan paper is a popular choice with designers. This is also helpful when you need non-paper items printed, such as textiles.

This is because commercial printers will print multiple pages on the one sheet of paper stock, front As you can see, this is not an efficient way to utilise space on a standard-sized sheet of paper stock

Using a gloss paper stock, we print CMYK and a special Drip-Off matt Spot varnish is applied to all areas the matt varnish was applied repel the gloss Aqueous (similar to the way water drips off a wax coated paper

Offset Press also offers the efficiency of being able to print a 4-Colour process on both sides of the paper This inked image is then transferred to the Blanket Cylinder as the paper substrate passes through between As the paper passes through each of the C,M,Y,K colour stations, the image is built. This in itself is in-fact why it is called "Offset" Printing, because the paper does not actually come ; building the image on the paper, one colour at a time.

FOLD WITH THE GRAIN OF THE PAPER. SCORE THE PAPER BEFORE FOLDING. It’s the clay surface of paper that cracks and exposes the fibres, so uncoated paper (think your average sheet of photocopy paper) shouldn’t crack. to one on an uncoated paper. 5.

WHY WOULD I USE A LIGHT PAPER ANYWAY?   ARE ALL PAPERS THE SAME WHEN IT COMES TO SHOW THROUGH?   In short NO. Opacity is determined by the amount of pulp fibre in the paper, so coated papers (ones with a glossy On the flip side, uncoated papers, similar to copy paper, are essentially all pulp and are more opaque AT WHAT PAPER WEIGHT WILL I NOT GET SHOW THROUGH?  

First and foremost it stops the paper underneath from cracking. dark solid colours are printed over folded areas, a laminate bonds itself to the clay surface of the paper benefits certainly outweigh the negatives, there are considerations when choosing to laminate your paper The lighter the paper, the more noticeable the curl. What thickness of paper am I using? Laminate or celloglazing is generally only suitable for paper stocks over 170gsm.

NOTE: Uncoated papers will flatten both the vibrancy of a fluro and the shimmer on a metallic.

This might be as simple as the paper stock you choose, the way in which the consumer opens and folds Here are a couple of possible examples: Paper Stock - While not specifically a Direct Mail project, the Dririder catalogue always comes to my mind when talking about the feel of paper stock. Seeded Paper - Did you know that we can source plantable paper that is embedded with seeds?! Whether it's Basil or pretty flowers this is an environmentally friendly and recyclable paper that may

We’ve explored options for binding , and pro-tips on choosing the right paper stock, but never before Their key functions are to retain colour and coverage on various paper substrates, and most importantly to the charged sections of the drum, transferring your image onto the oppositely charged sheets of paper If you would like more information about the types of ink we use, how they represent on different paper

Best results – relies on the contrast between the matt background of the paper and the gloss of the Applications – only suitable for matt coated paper over 90gsm.  3. CHALK KOTE As the name suggests this is the chalk paint version for paper, available in black, blue, Many of these ‘speciality finishes’ require specific artwork requirements, paper stock and finishing

PAPER. See our article Is Paper Just a Confusing Sea of White for more detail, but here are a few key tips. This will give your book a feeling of substance and eliminate images showing through thinner paper stock Semi gloss (satin) stock is recommended for text heavy publications to reduce light reflection off the paper